On Friday nights, why not get dressed up-- however you want to interpret that-- and learn how to make some challah?


On Friday nights, why not get dressed up-- however you want to interpret that-- and learn how to make some challah?


What an amazing night of song-singing and string strumming we had at my house on campus last Saturday night! Nearly all of the students, interns, apprentices and teachers were present for hours of community fun. I feel so lucky to be surrounded by such sweet and talented people. Sitting beneath the stars on a late summer's night, sharing song after song--this is community at its best!

Humanities & Ethics at Woolman is probably unlike any other academic class with the words "humanities" and "ethics" in the title. While the elective credit students receive technically encompasses hours spent in shared work, chores, nonviolent communication, and community meeting, the two in-class hours on Thursday afternoon form the core of the course.
We gather in the meetinghouse, start with a group game (most recently "Find your mama like a little penguin") and then move into experiential activities meant to support self knowledge, self articulation, and community building. The focus of the class is our own humanity, and our own ethics. There's no homework in H&E, no readings and no assignments. Everything we do for it happens in those two quiet hours.
On the first day of class it was a silent group mural activity, which has become a traditional class opener. Everyone gathers around roll paper that's been taped to two long tables. Using multi-colored chalk pastel and the occasional prompt from me, everyone rotates around the table and together create a collective art piece. The only real guideline is to respect the work of the person who proceeded you - that means it's fine to embellish, add to, enhance, etc., but obscuring somebody's work is not OK. Some prompts are abstract - "draw a shape," 'color with a different color" - while some are more specific like "Draw something that you have to give others."
The result is a weaving of overlapping color, images and styles that is as much a blending of the unique individuals who created it as it is something new, more than the sum of its parts.
Once we hung it on the wall, we identified pieces we recognized as "our" work, and also pieces we had embellished or added to, or pieces we had collaborated on. There were lots of much-loved images that were the product of collaboration.
Posed with the question "How is this exercise a metaphor for working with people?" the students had a lot to say:
It doesn't go quite how you think it should, but the results can be surprising. It's messy. We improve on each other's work. Some things get lost in the shuffle. Together we do an amount of work (and fill an amount of space) that we could never do alone.
Rebecca Garnault, a Spring 2010 alum and Woolman's first international student, was recently awarded the John Lennon Memorial Scholarship at the University of Liverpool. The scholarship is awarded based on academic merit an a "demonstrable interest in global, community or environmental issues." Becky's application focused on her work at Woolman, which included a documentary film on the experience of refugees in the United States, a sustainability project focused on water scarcity and rain water catchment, and a YAP project focused on conflict minerals in the Congo.
One requirement of the scholarship is that Becky write a thank you letter to Ms. Yoko Ono - whom she plans to tell all about Woolman.
Congratulations, Becky!
Today’s youth are coming to age in a world with violent conflicts of unmatched magnitude. The scope of these crises range from the intra-personal reflected by the high rates of depression and anxiety to the macro levels of continued development of weapons of mass destruction, armed conflicts between states and ethnic groups, the spread of racism, gender inequality, community violence, the huge and widening gap between the rich and the poor throughout the globalized economy, massive violations of human rights and the degradation of the environment (Hague Appeal for Peace, 2005). No longer is anyone on the planet exempt from the consequences of these global problems. In an analysis of these calamities and the extent to which they permeate the daily lives of so many, it is not presumptuous to say that we are living in a culture of violence.
While it could hardly be argued that education for peace is critical in these times, Peace Education has been minimized because of the public perception that it is a “soft” discipline. In T the United States, public education is widely thought to be an objective transference of knowledge that encourages successful citizenship. In my life experience, this purpose is often found to be synonymous with "adopting standards and assessments that prepare students to succeed in college and the workplace and to compete in the global economy"(Education, 2010). The perception of education for peace is that the curriculum that most American children are receiving is laden with the promotion of values such as competition, militarism, ethnocentrism, and unchecked capitalism. Proponents of Peace Education believe that “in order for democracy to work, individuals must feel a connection with each other that transcends the selfishness, competitiveness, and brutal self-interests of an ever expanding market economy” (Giroux, 2001, p. 62).
Although many disciplines are encompassed within the spectrum of Peace Education (i.e. Human Rights Education, Disarmament Education, or Education for Sustainable Development), practitioners are explicit with their agenda and social goals. In order to discuss a Peace Education intervention, the first step is to define these goals. The framework that is particularly relevant is the “Flower-petal” model (Figure 1) created by Toh and Cawagas (2002).
Topics within the Peace Education Flower Model include:
Educating for Dismantling the Culture of War (also known as a Culture of Violence): The goals of this theme are to encourage a moral commitment to non-violence, to recognize the Culture of War around and within the individual, to acknowledge the roots of violence and visualize the potential for peace, take steps towards abolishing the arms trade and understand and practice the principles of Conflict Resolution.
Educating for Living With Justice and Compassion: The objectives of this subject include raisingawareness of the consequences of profit driven development. It also consists of a thorough examination of lifestyles and the way in which they connect to crises, such as poverty, urban slums, rich-poor inequalities, and hunger. Connections of lifestyle to racism, sexism, classism, and environmental degradation will be included as well.
Educating for Building Cultural Respect, Reconciliation and Solidarity: Lessons for this aspect of Peace Education will not only emphasize “enjoying and celebrating diversity,” but move towards developing a deeper understanding and a strong sense of empathy and responsibility to advocate for those groups who are suffering injustices. An examination of past conflicts and reconciliation processes, both successful and failed is an important component of this topic.
Educating for Promoting Human Rights and Responsibilities:In order to teach about the responsibilities that we have as global citizens to protect the Human Rights of others, it is vital to raise awareness of those rights and how they are violated around the world. A critical goal for this theme is to explore the role of Human Rights education in peacebuilding.
Educating Living in Harmony with the Earth: A foundational principle of this petal is that humans are not separate from nature. This implies that our actions have reactions within the natural world and currently this has caused a state of environmental emergency. Lessons for this petal will include exploring the limits to growth, as well as the visionary and practical actions of the sustainable development movement.
Educating for Cultivating Inner Peace: The goals of this unit include introducing students to tools that help them to manage their own emotions. These tools include but are not limited to: how to react to feelings of anger and sadness, techniques for calming ourselves, non-violent communication, deep listening, and encouraging outlets for self-expression.
An educator who is informed by this structure will use the petals as themes in order to organize a curriculum. The shape of a flower is used to show the organic interconnectedness of the categories (with a useful metaphor of sharing “roots”) in a holistic vision.Whether in a formal (structured school setting), non-formal (an education program that has less structure such as camp), or informal educational context (all other modes of learning such as from the media or peers), the six principles of Peace Education will be used as the foundations for my methodology. Each principle encourages critical thinking for in-depth examinations of not only the problems facing the world today, but the roots of these conflicts. Equally important is the balance of discussing the crises with discussing and acting upon viable solutions. Without the emphasis on action, learners are left feeling depressed and disempowered. All of the sections share a goal of transforming learners into peace activists.
The ultimate goal of Peace Education is to educate our citizens to embody the wisdom and capacities for supporting a Culture of Peace. The Campaign Statement of the Global Campaign for Peace Education state that:
“A culture of peace will be achieved when citizens of the world understand global problems, have the skills to resolve conflict constructively; know and live by international standards of human rights, gender and racial equality; appreciate cultural diversity; and respect the integrity of the Earth. Such learning cannot be achieved without intentional, sustained and systematic education for peace.”
The Campaign Statement of the Global Campaign for Peace Education is available online at
A fundamental activity in the Peace Education curriculum is to dialogue about the various meanings and perceptions of ideas such as: peace, conflict, culture of peace or violence, and Peace Education itself. This very process will enhance the critical thinking of the students that is a skill that can be generalized to all learning. The perception of “Peace” by one individual may not have the same meaning to another. The following discussion will be the definition of terms that will be utilized through this paper:
“Peace” and what Johan Galtung, the grandfather of Peace Studies described as "positive peace "are interchangeable in this document. Galtung (1964), who first explained these differences in the Journal of Peace Research in 1964, wrote that peace is not only an absence of violence ("negative peace"), but also a process where participants creatively work towards non-violence in terms of interactions with: oneself, others, communities, the government and the environment (Galtung, 1964). Violence is not to be confused with conflict in this context. To work for peace, one attempts to avoid and even eliminate violence. Yet, it is understood that conflict is a very natural and necessary part of life. Conflict provides an opportunity to reflect upon one’s actions and assess situations for possible change. The violent reactions to conflict are contrary to PE which allows individuals and groups to change through education, mediation, negotiation, and living by example.
Prolific author and founding Director of the Peace Education Center at Columbia University, Betty Reardon (2001), defined the Culture of Violence as:
“…the aggregation of world views, ways of thinking and problem-solving that lead to the continuous use of violence and armed force. It permeates social attitudes, individual and group behaviors, and human relations from the most intimate and fundamental to the most distant and institutional. In a culture of war and violence, human inequality is assumed to be natural and violence in the pursuit of social and political purposes is legitimized as necessary and inevitable” (p.196).
More and more, it is being recognized that if individuals and groups continue in this way of interacting with ourselves, each other, and the environment, it will be to the irreversible detriment of all species. All of these crises are inherently interwoven at the roots, as are the ways of working towards their solutions. The alternative vision to a Culture of Violence has been further defined by the United Nations
“The Culture of Peaceis a set of values, attitudes, modes of behavior and ways of life that reject violence and prevent conflicts by tackling their root causes to solve problems through dialogue and negotiation among individuals, groups and nations.”
(UN Resolutions A/RES/52/13 : Culture of Peace and A/RES/53/243, Declaration and Program of Action on a Culture of Peace).
The actions that bring individuals and societies closer to the realization of a Culture of Peace include taking a critical look at the conditions under which violence thrives. This begins at a very personal, reflective level as individuals learn how to understand their emotions for more conscious decision-making (versus knee-jerk reactions). Intra-personal goals for creating a peaceful culture also include raising self esteem, learning how to express oneself, and gaining a sense of agency. The next stage extends to interactions within and between groups; including relationships with friends, families, neighbors, communities, states, and even fellow global citizens. On an interpersonal level this means communicating non-violently, participating in the decisions that have an effect on micro and macro scales and actively working for social justice. Promoting a Culture of Peace emphasizes empowering under-represented groups to allow for their voices to be heard. There is also an essential component of confronting those practices that are unsustainable for the environment and the non-human living beings. As the connections between attaining a culture of peace and halting the degradation of the environment become clearer, the examination of the choices that support our lifestyle and creatively implement alternatives will take place.
Transforming a culture of violence into a culture of peace entails working through the stages from intrapersonal awareness (micro) to global peace and justice (macro). Examining both conflicts and social movements from past, present, and future perspectives is equally important in order to understand that violence does not occur in a vacuum. The following framework (Figure 2) was designed by Haavelsrud (1996) to illustrate the implications of contextual conditions in Peace Education. This framework is useful to empower learners to make connections between what they are learning and the world around them. Additionally, it allows them to see their place in the world and create future visions for the change that they want to create. Just as the UNESCO (United Nations Educational Scientific, and Cultural Organization) constitution states: “Since wars begin in the minds of men, it is in the minds of men that the defenses of peace must be constructed”(UNESCO, 1945).
My masters in Peace Education classmates and I at The United Nations Mandated University for Peace!

My collage is an illustration of the passive response to the momentous and important global issues by victims of Spectatoritis. The eyes, shocked and paralyzed, represent the victim. The photos are a medley of the struggles, business decisions, victories and tragedies that one might watch from a distance and never take part in or take action on. The collage is bordered by a television frame, as if the collage were the frame, because television is where most of our nation's spectating happens.
On August 19th, 2010 we will welcome the Fall 2010 class of Woolman Semester students. I am counting down the days until these amazing young people join us. For me, they are the reason the rest of us are here.
On Thursday they will arrive by train, plane, and car to embark on a sixteen-week journey of growth and exchange. For many of them, this will be their first time living away from home and maybe the first time they've learned in a classroom without walls. We are here to challenge these young people with experiences, knowledge, and meaningful dialogue. They are also here to learn from each other, build lasting friendships, and find a community of peers. My hope is that through Woolman they will come to see the power of their education and the role they play in shaping it for themselves.
This is the beginning of an awesome adventure. See you all on Thursday. DIVE IN.
One week ago today we received an offer from a John Woolman School alumna to match up to $7,500 in donations that come in before the end of our fiscal/school year, July 31st. In addition, she let us know that her employer would match her gift, which triples the value of any gift Woolman receives before July 31st.
Within 3 days of the word going out about this fabulous offer, we have already received $4,200 in donations! We are more than halfway to the goal of $7,500 with a full week left to the finish date. My deep gratitude goes out to everyone who has contributed to Woolman this past school year. In particular, I am thrilled to see the response to this matching gift challenge! I feel such appreciation when I think about the students who have, and will, come to Woolman only because they receive scholarship funds. People like you make it possible for diverse groups of Woolman Semester students to expand their self-understanding, compassion for others, and connection to nature by living and learning in community. Woolman students "pay it forward" by taking their experience back with them to effect change in their home communities.
A recent Woolman Semester graduate said, “The reason many kids don’t choose to be involved in issues is because they don't feel they can make a difference. But through Woolman, you see how you can make a difference. Woolman gives you the skills to go out in the world and make it happen.”
Have a look at some of the ways that Woolman Spring 2010 graduates are already making it happen. Rachel Brazie created Sustainable. Affordable. A Young People's Guide to Sustainable Food Shopping for her Environmental Science Project. I hope you find it useful in making cost-effective, sustainable food choices. Students have also worked hard on their Peace Studies documentary projects, which are both entertaining and thought-provoking. Take a few minutes to watch Ruthie Hawley's and Katherine Stone's documentary film, Open Ears, to learn more about the future of music education. I am so inspired by our students' work and hope that you will be too!
Please help us spread the word about the Woolman Semester by sending this article to friends and family. Encourage them to learn about the Woolman community through our website and by signing up for our monthly email newsletter.
Iif you would like to help “make it happen” you can click here to contribute. Or send a check to 13075 Woolman Lane, Nevada City, CA 95959. Finally, here are some more ways to support Woolman.
As consumers, we have not only power,
but responsibility to be self-sustainable,
Your choices are political.
The real meaning of organic is like a bodily function,
All for one and one for all.
Commit to advocate and educate.
Ethical, local, organic, mind, body, soul & planet.
Close the gap.
Leave no one behind...
"I Eat, Therefore I AM"
The Youth as Peacebuilders (YAP) Project is an assignment in the Global Issues class at Woolman. The assignment lasts through out the semester and starts with students choosing a world conflict that they feel passionately about changing. There are 2 major components to the project--the first is a 10-15 page paper where the youth research and analyze the conflict--paying very close attention to represent BOTH sides of the issue. They look at the contextual factors which have influenced the problem (gender, religion, economic, political, geographical), the structural causes, roots or institutions that encourage it and students also look into ally organizations which are working to help transform the conflict!
The second part of the YAP is where the teens choose an action which utilizes their best talents to make positive change for their issue! This is often begun at Woolman, but carried on after they return home.
Here are 2 wonderful examples of students that used their fabulous art skills to fundraise for issues they are passionate about:
Ben (Fall 09) wrote an amazing paper about the conflict in India between Monstanto and Indian Farmers. The paper was excellently researched and highlighted the unbalanced power dynamics between the two groups. His activism for the YAP was a most fashionalbe t-shirt (tagged) which he designed, printed, and sold for donations towards an institution which fights for policies which support farmers!
Katherine (Spring '10) became quite involved with indigenous peoples' rights for her YAP. Her completed paper was both informative and emotional in its description of a tribe in northern Columbia (the U'wa) and their non-violent battle against Occidental Petroleum Company. Katherine was inspired to use her keen drawing talents to create this charcoal portrait of an indigenous woman. She is currently selling raffle tickets for the drawing. The proceeds will go towards an organization fighting for indigenous rights (www.amazonwatch.com)!
These are just a couple of the powerful and creative acts of peacebuilding that Woolmanites were involved with this year:

Katherine and her portrait of an indigenous woman!

Here's Maria (in the center) sporting the latest in anti-oppression fashion :) This Sring semester student purchased one of Ben's shirts even though she had never met him. Sorry for the shirt getting cut off at the bottom, it says: No Farmers, No Food!

Ben in the Woolman garden :)